Feeling Space

Files: abstractposter, full paper (=updated abstract)

Fragments from proceedings (‘abstract submission’)’:


This research is based on my current creative practice of making drawings and installations in response to the particulars of outdoor and indoor environments.

Such practice is based on the performative potential of drawing and situated between Visual Arts, Performance and Dance. Other recent practitioners have researched this field with a focus on the choreographic potential of drawing on flat surfaces (Katrina Brown) or by performing movement patterns in response to site particulars (Burgoyne).

This research asks the question, how does an embodied drawing practice using a mobile working kit on different environments determine the relationships between self and environment?

The project’s methodology assumes an analogy between line movement on paper and body movement in landscape. Indoor and outdoor spaces, and the creative practice itself constitute the material contexts of this research. In the same way as this creative practice faces the challenge of connecting to different material environments, requiring situated and relational approaches and improvisation, its methodological framework is one of interdisciplinarity, questioning the boundaries between Dance, Visual Arts and Performance, built on phenomenological concepts of experience, environment and self. Drawings, installations, experiences and events, either by the author, acting as a human instrument, or by other subjects and things in the environment, provide data within an aesthetic framework where linearity is a structural criterion. The research aims to generate new knowledge in three fields:

Firstly, in the field of Expanded Drawing practices, a new body of work will illustrate how using a mobile working kit can create engagement between landscape, place, creative practice and notions of self. I will use elastic bands, rolls of paper, wooden sticks and drawing utensils to produce temporary features in the countryside and permanent drawings, documenting the making processes with videos, photographs and texts.

Secondly, it will produce new knowledge for the field of Critical Art Studies about how my particular interdisciplinary practice approach can impact on our understanding of indoor and outdoor environments and of who we are as embodied selves.

And thirdly, with regard to interdisciplinarity in the arts, and concerning the role of embodiment therein, the research will provide new knowledge about how a network between selected dance practitioners and visual artists can be used to communicate about their creative processes. /../


drawing, environment, movement, embodiment, dance

Structural Model of Multigenerational Living Environment

Files:  abstract, poster, full paper (= extended abstract)

Fragments from proceedings (‘abstract submission’)’:


Multigenerational living environment as an alternative to existing institutionalized living environment of older population presents the main field of research. The high level of elderly segregation remains ever present despite constant developments in the area of institutionalized care. Necessity of elderly integration into general social environment reminds us of importance of active presence for all age groups in order to provide quality living environment. Furthermore, it opens numerous questions concerning the unexplored or underdeveloped potentials of living environment, when the needs of users of all age groups are taken into consideration.

The aim of research is to explore and understand how diverse needs of users of all ages can influence the development of wider living environment, building typology from urbanistic point of view, and on architectural design of living units. The goal is to develop a structural model of multigenerational living environment and test its applicability in diverse situations.

The basic research frame of structural model development is defined by the key properties of multigenerational living environment from the social and spatial point of view. How do these properties affect the content of an environment, how are they regulated and how do they relate to each other in order to establish multigenerational living environment of higher quality? These are the focus questions of the doctoral thesis. Research includes all of the users of a living environment of all the age groups as well as multigenerational living environment in itself.

Research terms will be inducted through analysis and categorization of the users needs. Study of relations among users is to be performed, exploring relations among the members of the same age group, as well as with the members of other age groups.

Based on established research terms, the further study should be conducted, how users interrelations are expressed upon living environment and what kind of relations does the living environment generate towards its users, thus forming a foundation of structural model development.

Structural model of multigenerational living environment as a system of social and spatial relations has three primary roles. Firstly as a system of initial design, secondly as a system of review in the planning stage and finally as a system for evaluation of living environment in use. Diverse modes of application include transformation-of or addition-to an existing living environment and establishing of a new living environment. Scale adaptability of the model enables application on the level of wider living environment, building typology development and architectural design of living units.


structural model, multigenerational living environment, age group

Penumbra as a Starting Point

Files: abstract, full paper ( = updated abstract)

Fragments from proceedings (‘abstract submission’)’:

This paper concerns strategic design principles arising from the study of solid light in space through the interstitial presence of penumbra. Penumbra (from Latin paene, “almost” y umbra, “shadow”) is understood and presented as the space of soft shadow between light and total darkness, an area where it is difficult to define the ending of one presence and the beginning of the other. The paper questions various processual modes that approach light as matter and posits the thesis that penumbra is a fundamental medium for understanding and approaching the phenomenal inseparability of light and shadow.

Through the work and reflections of Tadao Ando, Louis Kahn and Campo Baeza, the paper reviews the connotations of spaces conceived from the shadow, its characteristics as void, the role of penumbra as core element for holding content, the role of inner form for reinforcing syntax and the use of chiaroscuro for encouraging contemplation and movement. All principles are observations emerging from architecture in service of the phenomenon of light.

The paper concludes by stressing the role of penumbra when approaching design processes as well as presenting the idea of palimpsestic projections as a platform for creating correspondences between architectural processes and the manifestation of space.


projections, penumbra, shadows, light, design process.